AI-Based Singing Performance Assessment and Intelligent Feedback for Music Education

Authors

  • Boying Wan Department of Computer Science, University of New Hampshire, Durham, NH, USA.
  • Grant Rliver Department of Computer Science, Binghamton University, Binghamton, NY, USA.
  • Methan Berrett Department of Computer Science, University of Houston, Houston, TX, USA.

Keywords:

artificial intelligence; music education; singing performance assessment; intelligent feedback; audio analysis; system architecture; fairness; governance; sustainability

Abstract

Singing performance assessment has traditionally depended on the subjective judgment of expert instructors, leading to variability across evaluators, institutions, and pedagogical traditions. Recent advances in music information retrieval, audio representation learning, and intelligent educational systems have created new opportunities to support singing pedagogy through computational analysis and automated feedback. This paper presents a system-level examination of AI-based singing performance assessment and intelligent feedback for music education. It focuses on architectural foundations, data infrastructure, acoustic and musical feature modeling, assessment model design, feedback generation, fairness, robustness, governance, deployment, sustainability, and institutional adoption. The discussion emphasizes structural trade-offs among interpretability, predictive accuracy, latency, privacy, and pedagogical validity. A central concern is the need to combine signal-level analysis with meaningful educational scaffolding rather than treating automated scoring as a replacement for human instruction. The paper further examines how large annotated singing corpora, self-supervised audio representations, and modular assessment pipelines can support more consistent and scalable feedback, while also introducing risks related to bias, cultural diversity, vocal health, and data governance. By integrating perspectives from music information retrieval, educational technology, human-computer interaction, and sociotechnical systems research, the article develops a critical framework for designing, deploying, and regulating intelligent singing assessment tools. It argues that sustainable adoption requires not only technical accuracy but also institutional trust, teacher involvement, transparent evaluation protocols, and alignment with established music education values. Future directions include multimodal analysis, longitudinal learner modeling, privacy-preserving federated learning, and the development of open benchmarking practices that reflect diverse musical traditions.

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Published

2026-06-12